Inspired after waking from a dream, Shusett said, "I have an idea: the monster screws one of them" planting its seed in his body, and then bursting out of his chest. He eventually settled on the threat being an alien creature however, he could not conceive of an interesting way for it to get onto the ship. Dan O'Bannon drafted an opening in which the crew of a mining ship are sent to investigate a mysterious message on an alien planetoid. The script for the 1979 film Alien was initially drafted by Dan O'Bannon and Ronald Shusett. Necronom IV, Giger's surrealist painting that formed the basis for the alien's design The species' design and life cycle have been extensively added to throughout each film. Giger, originating in a lithograph called Necronom IV and refined for the series' first film, Alien. The alien design is credited to Swiss surrealist and artist H. Their design deliberately evokes many sexual images, both male and female, to illustrate its blurring of human sexual dichotomy. The aliens' biological life cycle, in which their offspring are violently implanted inside living hosts before erupting from their chests, is in many ways their signature aspect.
Like wasps or termites, aliens are eusocial, with a single fertile queen breeding a caste of warriors. Unlike many other recurring enemy extraterrestrial races in science fiction, the aliens are not an intelligent civilization, but predatory creatures with no higher goals than the propagation of their species and the destruction of life that could pose a threat.
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The Alien (also referred to as a xenomorph) is a Alien race of endoparasitoid extraterrestrial species that is the primary antagonist of the Alien film series and originating from Xenomorph Prime.
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